Out of the many great albums released in 2025, I have compiled a list of my personal favorites along with a brief description of each. Ultimately, Jane Removerâs Revengeseekerz tops the list as the finest album of the year.
Revengeseekerz: Jane Remover
On the most enthralling and abrasive record of the year, Jane meshes rage, electronic, and her genre-creation of digicore for her new magnum opus. Beyond just the instrumentals, her writing and performances shine throughout the uber-consistent tracklist. I havenât been into new releases in the past year, but this album from Jane Remover kept me thoroughly entertained.
Half Blood: Slayr
As just a teenager from Philly, Slayr struck gold on this 29-minute album. Itâs by far the best written, rapped, and produced deep-underground rap album I heard this year. I wouldnât say itâs perfectly consistent, but the highs like âLove Blurâ and âHoldingâ are completely unmatched. This album had me in a choke hold in November, and that will only continue as time progresses.
Let God Sort Em Out: Clipse
Every year, the âreal hip hopâ audience picks their album hill to die on. Clipseâs comeback album was theirs for this year, and for good reason. The brothers look to have not missed a step in the 16 years since their last album, with razor-sharp writing over Pharrellâs electric sampling and instrumentation. Beyond Clipse, the features throughout the album all pull their weight confidently.
F.L.I.N.T. (Feeling Like Iâm Not Through): Rio da Yung OG
Musical junk food in its purest form. This is Rioâs most consistent and entertaining album performance, and itâs truly a treat to listen to. Heâs so fun to watch freestyle, and that free nature makes his music so singular. In recent listens, Iâve remembered how good the vast majority of this album is, especially tracks like âNever Switchedâ and "AGGRESSIVE FLOW.â The album isnât a generational creation, but itâs the perfect auditory junk food.
Magic, Alive!: McKinley Dixon
His 2023 album Beloved! Paradise! Jazz!? wasnât my favorite album of 2023, but this followup from Dixon blew me away. The instrumentation is littered with these beautiful strings and live drums, making the album feel real, not automated. His writing is touching and human, and the whole albumâs summery vibe is such a treat.
In a rough order: